Omni vol. 4 #5 (February 1982, Omni Publications International, Ltd.)
$4.99
Formerly held in the Penn State Science Fiction Library (stamp on back cover)! Please consult image gallery for condition.
Contents (from https://www.isfdb.org/ — Copyright © 1995-2025 Al von Ruff and the ISFDB team):
6 • First Word (Omni, February 1982) • essay by Ben Bova
12 • Forum (Omni, February 1982) • essay by various
16 • Earth: Myths of Scarcity • essay by John J. Berger
18 • Life: Genetic Surgery • essay by Dr. Bernard Dixon
20 • Space: Comsaturation • essay by Jesco von Puttkamer
24 • Mind: Cheap Talk • essay by Gary Alan Fine
26 • The Arts: Graffiti (Omni, February 1982) • essay by Bill Moseley
28 • The Arts: Film (Omni, February 1982) • essay by Jeff Rovin
32 • The Arts: Books (Omni, February 1982) • essay by Robert Weil
35 • Continuum (Omni, February 1982) • essay by various
44 • Magic Mirrors • essay by David Saltman and Gurney Williams, III
48 • Petra • short story by Greg Bear
49 • Petra • interior artwork by Jose Fernandez
52 • Hawaiian Eyes • essay by Gene O’Rourke
58 • Recollections of Death (excerpt) • short fiction by Michael B. Sabom
59 • Recollections of Death • interior artwork by Gottfried Helnwein
63 • Interview: Candace Pert • interview of Candace Pert • interview by Judith Hooper
68 • untitled (Omni, February 1982) • interior artwork by Salvador Dali
69 • Salvador Dali • essay by Marc Kaplan [as by M. S. Kaplan]
69 • untitled (Omni, February 1982) [2] • interior artwork by Salvador Dali
70 • Daddy Longlegs of the Evening, Hope! • interior artwork by Salvador Dali
71 • Geopoliticus Child Watching the Birth of the New Man • interior artwork by Salvador Dali
72 • untitled (Omni, February 1982) [3] • interior artwork by Salvador Dali
73 • Old Age, Adolescence, Infancy • interior artwork by Salvador Dali
74 • The Tiny World of Clive Sinclair • essay by Tony Durham
93 • Antimatter (Omni, February 1982) • essay by various
124 • Stars: Superbubbles • essay by Wallace H. Tucker [as by Wallace Tucker]
130 • Last Word (Omni, February 1982) • essay by Neil Renton
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